Evvari bodhana, a popular varnam by Patnam Subramania Iyer.Neekepudu in Khanḍa Tripuṭa tala by Mysore Sadashiva Rao.Sabhāpatikku veru daivam, in Rupaka tala by Gopalakrishna Bharati.Śri Lakṣhmi varāham by Muthuswami Dikshitar.Nannu brova nee kinta tāmasamā in Adi tala by Thyagaraja.Notable traditional compositions in Abhogi include: It has been used by many composers in classical music and film music. Its ārohaṇa-avarohaṇa structure is S R₂ M₁ P D₂ Ṡ : Ṡ D₂ P M₁ R₂ SĪbhogi is a raga used for compositions in a medium to fast tempo. Shuddha Saveri is a rāgam which has the panchamam in place of the gandharam.Its ārohaṇa-avarohaṇa structure is S R₂ G₂ M₁ D₂ N₂ Ṡ : Ṡ N₂ D₂ M₁ G₂ R₂ S Sriranjani is a rāgam which has kaishiki nishadam in both ascending and descending scales in addition to the notes in Ābhōgi.For more details and illustration of this concept refer Graha bhedam on Ābhōgi.Īccording to P.Moutal, the raga Kalavati is a transposition of Abhogi. Abhogi's notes, when shifted using Graha bhedam, yields another pentatonic rāgam, Valaji. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to another note in the rāgam. Ābhōgi is considered a janya raga of Kharaharapriya, the 22nd Melakarta raga, though it can be derived from Gourimanohari too, by dropping both panchamam and nishadam. The notes used are shadjam, chathusruti rishabham, sadharana gandharam, shuddha madhyamam and chathusruthi dhaivatham. Its ārohaṇa-avarohaṇa structure is as follows: It is called an audava-audava raga, as it has 5 notes in both ascending and descending scales. The Carnatic raga Abhogi is a symmetric pentatonic scale that does not contain panchamam and nishadam.